Those Days, These Days,” essay on the work of Jordan Danchilla, Art Placement Gallery, Saskatoon, 2022.

Sesame, open yourself,” essay on the work of Julie Oh, Kenderdine Art Gallery, University of Saskatchewan, 2022.

“Keep Your Images Close: Sara Cwynar in conversation with Rose Bouthillier”
Sara Cwynar: Glass Life, Aperture, 2021

Tolerance of Ambiguity
Walter Scott: Tolerance of Ambiguity, Latitude 53, 2020

Plague” on Puppies Puppies (Jade Kuriki Olivo)
Halle für Kunst Lüneburg, 2019

“Anni Albers & Dirk Nowitzki Walk Into a Bar
Art Criticism & Other Short Stories, edited by Helen Reed, Blank Cheque Press, 2019 (Originally commissioned for Hazel Meyer: Walls to the Ball, ARTSPACE, 2012)

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“Zadie Xa: multi/inter/extra”
CURA., No. 31, Summer 2019

“Hot Spells: Image and Environment in the work of Laura St. Pierre
BlackFlash, issue 36.1, 2018

“Curatorial Correspondents” round table with Michelle Grabner, Defne Ayas, Fernanda Brenner, Diana Campbell Betancourt, Rose Bouthillier, Reem Fada, Snejana Krasteva, Carol Linghua Lu, Piper Marshall, Souzana Sousa, and Chen Tamir
An American City: Volume l, FRONT International: Cleveland Triennial for Contemporary Art/Cleveland Museum of Art, 2018

“Connecting on a cellular level: an interview with Faye HeavyShield”
Remai Modern online, December 3, 2018

Jessica Eaton: MFO5
Foam Magazine, Issue 49: Back to the Future, 2018: 100

“Ways of Thinking” on Troy Gronsdahl
aka artist run centre, 2017

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Rochelle Goldberg: Everything that goes under
CURA., No. 25, Summer 2017: 142-144

“Whitney Biennial 2017”
review, C Magazine, issue 134, Summer 2017: 60-62

“Annie MacDonell: Modifying the Visible”
BlackFlash, issue 34.2, Spring 2017: 50-56

under different clouds
Scott Olson, Cleveland Museum of Art and James Cohan Gallery, 2016

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Kevin Beasley: Energy Accumulates
CURA., No. 22, Summer 2016: 112-125

“On Shifting Ground and Topsoil”
Blaine Campbell: Cyclorama, Art Gallery of Alberta, 2016

Stranger” on Valérie Blass, Sascha Braunig, Antoine Catala, Ian Cheng, Cécile B. Evans, Andro Wekua, Lynette Yiadom-Boakye
Stranger, moCa Cleveland, 2016

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“From inside”
Xavier Cha: abduct, moCa Cleveland, 2016

“Sascha Braunig”
CURA., No. 20, Fall 2015

movement power nomenclature weight pressure free
Tony Lewis: free movement power nomenclature pressure weight
moCa Cleveland, 2015

Institute for New Feelings, FELT BOOK, SPACES, Cleveland
review, Arthopper online, March 24, 2015

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“Epilogue” 
Corin Hewitt: Seven Performances, moCa Cleveland and Mousse Publishing, 2014

Alivia Zivich: Fat Hacker, Cave, Detroit
review, Arthopper online, December 20, 2014

Andrea Longacre-White: Ceiling, Bellwether offsite, Cleveland
review, Arthopper online, May 1, 2014

“2013 Carnegie International, Pittsburgh”
review, C Magazine, issue 120, Winter 2013: 56, 65

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“Julia Dault, Jessica Bradley Annex, Toronto”
review, C Magazine, issue 118, summer 2013: 41-42

“The Working Body”
Kate Gilmore: Body of Work, moCa Cleveland, 2013

“Althea Thauberger, Susan Hobbs Gallery, Toronto”
review, C Magazine, issue 114, summer 2012: 52-53

“Jessica Eaton: STRATA, Red Bull Projects, Toronto”
review, C Magazine, issue 110, summer 2011: 42-43

“Daniel Barrow: Good Gets Better, Jessica Bradley, Toronto”
review, frieze, April 2011, issue 138: 152

“Chasing Napoleon, Palais de Tokyo, Paris”
review, esse, Autumn 2010, issue 70: 72-73

“An Invitation to an Infiltration, Contemporary Art Gallery, Vancouver”
review, frieze online, 2/23/2010